Sky like that

Arctic tracks, sandy shoes, poetry and fiction

Snow-bound

When I was 14, as a vague rebellion against my ski-mad father, I took up snowboarding. I put up with the sore bum-cheeks and burning biceps, I made regular trips to Sheffield’s dry scratchy ski village, I tumbled over repeatedly and had some knee-swelling encounters with ice. But I learnt to love the curving turns and slippery movement over the snow when eventually I reached it in one piece.

But it’s not an easy relationship with the sport. I am uncomfortably aware that ski resorts do a great deal of harm to the alpine environment. And I have a strong dislike of the preening, chortling upper classes that pile into the resorts every winter to splurge on an expensive and extravagantly wasteful pastime. I’m not keen on the over-heated apartments that pump out heat inefficiently. The way the trees are uprooted to plant ugly lifts from which pleasure-seekers flick their cigarette butts. Then there’s the carbon emissions of all the people who fly to the Alps to find the snow that has disappeared from lower slopes closer to home in the new warmer climate.

But I still love this deceptively simple activity.  The exhilaration of speed and curvature, the alpine breath fast in my throat and the glint of sky on snow, the view of god-big mountains all got up in their clear white finery.

I spent the last week with a group of friends in Risoul – a budget resort in the southern French Alps, full of students from the Sorbonne behaving in a surprisingly stereotypical Britishly drunken way. It was not the lavish get-up of Val d’Isre or Courchaval and on a quiet week we spotted red-black squirrels in the conifer and crested birds nibbling seeds on the decks of the empty après ski bars. The sun shone and I had the most raucous week. I read and wrote not a word and was tremendously happy.

On my return to London I picked up a copy of David Abram’s The Spell of the Sensuous. Back in the city, jumping through tubes and over road works, making angry phone calls to my internet company demanding to be reconnected, I began to recognise the disconnection from the sensuous non-human world that Abram writes of. I missed the snow, I missed the connection with the mountain.

And I wonder if I’m behaving like the bourgeois who experience their physical connection to the non-human in one short sharp burst only to return to their over-rich London lives for the rest of the year, craving snow for 5 months then heading to some seaside place to spend more of their mindlessly-made earnings. I hope not. I’ve lived in London for nearly 3 years now and I still miss my old home by the sea in Wales. But I love this city and its human surprises. In the meantime, until my next adventure, Hampstead Heath must be my reminder of our ‘contact, and conviviality, with what is not human.’

Happy New Year!

The burning of the pud – a brandy-drenched pud!

here’s to 2012

Pud's on fire

The Salt Book of Younger Poets

The Salt Book of Younger Poets

“The Salt Book of Younger Poets showcases a new generation of British poets born since the mid-80s. These poets have used new technologies to meet, mentor, influence and publish each other. This is a chance to encounter the poets who will dominate UK poetry in years to come.”

I am very happy to have five poems included this anthology – alongside some brilliant and very exciting young poets. The book is edited by Roddy Lumsden and Eloise Stonborough and you can buy a copy from the Salt website.

Kekova, August

Kekova sunken ruin

Before the tiled blocks of red and marble beige, Roman stripes, crumbled into the sea like Lancashire cheese, there was some arch, the crown of the ancient shipyard. Now you can swim up to the graffitied slabs and half-sunk steps.

But on the village side, the ruin is half in half out of the bright Aegean. We strain over the glass bottom boat, petrol reeking in the pristine blue. “Don’t stand on someone else’s beach towel!” Anchors are forbidden so we chug as slow as the cruiser can allow. Passing over the ruin we cluster over the imperfect portholes. “Look for the poetries on the sea bed,” the guide says. And yes, through the bubbles on the glass and the misted murk, we glimpse that submerged elderly surface: vessel wrecks, urn handles and the bellycurves of pots left to weed, forbidden from touch for millennia. The rubbish of rubbled homes. Happens that the Romans didn’t have plastic bags, only elegant pots, poetries that survived a sinking shuddering quake, a catastophe that left the isle half toppled into the sea. They never returned.

Istanbul diary – late May

Rubbish collectors, Karaköy

Vertiginous place of twists. The vertigo in walking, loosing the way. Giant swifts cruise from the pipes.  Strait of worlds. Worlds of moving folk. For-dreamed, for-Babelled.

In Beyoğlu, under the squawk and racket of the forked-tailed birds, the human hum: parading youths, Palestinian rubbish collectors, melancholy fiddlers, beggar children armed with kazus, the neck-craned tourists. Boho meets business meets cats and geese in the bar.

That famous dilapidated colour: the overgrown greens and pinks in the rubble of ottoman chic. On the bridges tiny pieces of silver – migrating sprats – are pulled thrice a minute. Men wash before kneeling. Sonorous air, full of the calls to prayer echoing back and forth over the big blue strait.

The gardeners in Yildiz park are too sunned and skinny. Furiously planting marigolds in rapid-spreading rashes of orange, the beds freshly coloured. Too fresh. They sling their crates in the back of the van and speed off to the next star-shaped border. A sweating glasshouse; shambled and overgrown with bird of paradise plants. Through the dim cypress and pine the Bosphorus’s live blue. Peace is maintained by the police guard at the entrance.

Beneath Yildiz, Istanbul Modern is also policed. No art ushers, only G4S security guards. Guarding art, keeping out the chaos of live cultures: bodies, enzymes, fumes of food and motors, the noisy hum and lap of boat-driven waves.

Beyoglu

Birdbook

I have three new poems in Birdbook I – an anthology by Sidekick Books featuring poems on British birds edited by Kirsty Irvine and Jon Stone. This edition covers towns, parks, gardens and woodland. Look out for the Siskin, Red Kite and Wood Warbler!

birdbook Buy a copy here

Finland from the air

March 30th, 2011

Finland from the ground: JyväskyläPleated, becheckered and monochrome, it’s possible to see the managed pine and the white ground between trees, galvanised in the light. Palette lakes: smooth pulped and pressed flat. You can see the ripped, trimmed and scored woods, the growths left to bloom in rings like boreal fairy glens. Summer house are still submerged. From here it’s a stickle-backed land, seeming far more cottaged and tended than from the ground. You see the farm ponds and where black heated tarmac crosses the crispy white ski tracks.

The vanguard of sea ice hugs the far coast:  a barrage against liquid. The edges of the Baltic are still frozen – they hold a viscous edge that peels and retreats on warm days, crusts and extends on cold. In the  shallow seas around the coast snow furs over the islets that are hugged close and made part of the land only to be released into the sea again come spring. Some of the archipelagos are linked together by stringy bridges.Cycling on snow in Jyväskylä

Over Turku the ice loosens.  There are beaches of snow in the bays, ringed islands that could almost be Greek with their white sands in bright blue. Over Sweden I watch the land start to brown, the lakes crack. There are long white scores cut out of the trees that stretch in very straight lines across miles of field, wood, frozen sea and island – presumably they are old imperial sledgeways?

Over Denmark the clouds come and I try to make out parts of the royal wedding magazine the Finnish woman next to me is reading: ‘Diana vs Kate’ – why are they so interested?

From the land of Finns to the land of Angles – we are both fished fine angles and filled lands, finished on an ask, an Ang, a Fin. The plane has taken me from winter back to spring. On the ground the foggy air smells warmly wet – long released from ice. The willows and thorns are leafing. I have gone from zero ice to liquid pools, the muds of the new year. We are quick to forget an English winter. But the Finnish winter I am fresh from will be harder to let go of. In the leech-grey wood one tree has come into green. As the train creeps into London the land warms another degree, and the sparse trees and track-side buddleia start to show it, begrudgingly.

My first guest blog on the New Welsh Review website

“Outside a West London pub, Serogo repeated my name. I’ve been asked about it many times before but I’ve never got this reaction: “Ah Wales – freedom fighters!”…”

I have been asked to write some guest posts on the New Welsh Review editor’s blog. So for the first one I took the opportunity to bang the drum for West Papua and the people resisting the brutal colonial oppression of the Indonesian government. Please visit http://newwelshreview.blogspot.com to find it.

ALLEYCAT! ALLEYCAT! The kind of kitty it’s foolish to pat!

Dear poetry gluts and starvlings,

The Fogcutter is delighted to announce

ALLEYCAT
A poetry night in Dalston

April 7th, from 7.30

At Bardens Boudoir, 44 Stoke Newington Road, Dalston
suggested donation £5 to Refuge

with streetscrapping, fog-cutting, steam-piped poets

Roddy Lumsden, Sophia Blackwell, Inua Ellams and Sarah Howe

Alleycat

For more on this new night step aboard the HMS Fogcutter  http://thefogcutter.wordpress.com/

Reading my poetry at the Betsey Trotwood, London

Recorded by Jess Shankleman at Salt Plus, February 15th 2011:

Nia Davies at the Betsey Trotwood

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